Feb. — May 2024
About the pervasive and insidious nature of overconsumption.
This film uses narrative visuals to reveal the cyclical experience of modern consumerism. The project features two approaches: a traditional one-perspective animation and immersive VR scenes, offering audiences a deeper engagement with the themes presented.
July — Sept.
2024 / Ongoing
This artwork projects “imagined selves” into virtual space.Through a series of digital personas (masks), it explores the relationship between “me” and my “new crafted identities," aiming to break conventional boundaries and expand self-awareness and imagination.
Dec. 2023 — March 2024
The installation aims to peel away the external “them” to reveal the internal “I”, encouraging individuals to confront and embrace their deepest desires and primal forces. The core theme is to explore oneself, feel oneself, and ultimately, become oneself.
Sept. 2022 — May 2023
My bfa thesis collection comprises two distinct parts, the first of which involves the physical construction of the concept and served as the initial starting point of an ongoing exploration about humanity’s relationship to the unseen.
Sept. 2022 — May 2023
The second part seeks to bridge the gap between physical and digital universe, providing a new perspective on the ways in which these mediums can intersect and complement one another.
November 2025 — Present
This interactive installation explores the delicate boundary between human intervention and the spirit of living beings. Through touch and tension, the piece mirrors the duality of our relationship with nature. Ultimately, the installation challenges the viewer’s role, transforming a passive observation into a moment of mutual scrutiny.